Bruno King





Bathing as RitualPublication Design2024
This work explores place as refuge, my relationship to the bathtub as a sanctuary and an intimate space where water becomes both a literal and metaphorical embrace. I examine the dynamic between moments of delicate stillness in the bath juxtaposed against chaotic and anxious thoughts throughout my everyday. The bathtub acts as a vessel to pause, to breathe, and to return - a moment to intentionally let go of overwhelming thoughts.

Bathing as ritual is an act which replenishes both the mind and the body, a practice of self care. Ornamentation of space, the soft flicker of candles which cast away shadows of anxious thoughts, or of flowers gently resting within their vases, become an intentional act of caring for self. You will notice a calmness emanating as you navigate the artist book, what begins as a busy and overwhelming ensemble of thoughts and ideas becomes distilled into clear and direct layouts, reflecting with intention the clarity of mind found in the bathtub.

I aim to tell the stories found in each droplet of water, the shedding of fears, burdens and worries from the day. The sacred importance of the bathtub as place, as escape from the anxious mind that follows me throughout the day. My time bathing becomes one of the only waking moments I can truly rest, truly release. 

This book is a love letter to the water that holds me and to the bath that holds the water.


Risograph Printing
Bookbinding
Adobe InDesign

Bookmarks as Business Card
Personal Branding2024
Acting as a tool to introduce myself and my practice, I was tasked with creating a design outcome to be given to prospective employers showcasing a high sense of personal identity and creativity. Considering a balance of both personal expression and professional ambition, this project ensured both a thorough and vigirously reflective approach. I sought to build a strong foundation and robust identity that felt curated to a clear avenue and target audience.  A nod to my love for publication and book design, I decided to situate my introduction within a bookmark, a hopefully useful tool to be carried around on person should they be avid readers like myself.

My resolved outcome delivers high consideration to typography and layout, with experimental approaches being made through my printmaking and craft techniques. This creates an engaging work, establishing a connection between myself and the employer. It showcases elements of my personality through a friendly, inviting, professional, and exciting visual language. I chose to have my object act between a direct and indirect approach to introduction, the wprl imbued with qualities that make it less intimidating for employers to hold on to.

 The final design uses language deliberately to extend an offer for mentorship, and the object itself feels more of a personal project they can take home rather than a business card because of it’s secondary use as a bookmark. 


Adobe Illustrator
Typography and Layout
Branding
Meat Free MeCampaign Design & Branding2023
The animal and meat industry is widely known to have cruel and exploitative measures in place. Putting profit margins before animal care is an all-to-familiar story within its media coverage, which although frightening has had little affect in regards to changing consumer habits. 

My campaign, Meat Free Me, aims to encourage individuals to stand against the incredibly harmful industry and protect our planet by switching to a plant based diet. Combining a playful and bright aesthetic, powerful statistics, and impactful typography, the campaign targets a Gen-Z audience - a generation known to be highly concerned with climate change. This concept university project had me create a variety of assets to form a robust design system, which were then synthesised together into collateral and deliverables; including a poster series, foldable zine, tote bags, and social media graphics.

This project helped strengthen my understanding of the design principles and ideation skills, asking that we become an expert on our chosen topic through research and undergo many stages of development before reaching our final outcome. 


Branding & Identity
Adobe Photoshop, Illustrator
       & InDesign
Publication, Poster, 
      & Social Media design

TypografikaEvent Poster and Pamphlet Design2023
A conceptual university brief designed to challenge us at distilling large amounts of information into an easy to navigate pamphlet and captivating poster for a fictitious conference on typography. I aimed to caputre an electric energy with my work, aiming to draw in interest and attention to this event. This proved an effective project to develop hard skills within the adobe suite, streamlining my design process and utilising a variety of tools to effectively communicate important information at a glance.


Adobe InDesign and Illustrator
Poster Design
Information Design

Project Over PressCollaborative Publication & Poster2024
Project Over Press acts as a collaboration between four RMIT design students and HumDrumPress - an established publishing house. Through our Thinking Through Making design studio, we were fortunate enough to arrange an interview with Amy Gowen and Wibke Bramesfeld, discussing their creative practice and approach to publishing. The interview conducted spanned thirty minutes and we have divided our publication into three vignettes in order to account for the three questions we were able to ask, using typographic and compositional practices to visually depict the conversation. The use of transparent pages and inserts allows us to disrupt this flow of conversation and isolate moments of importance throughout the interview, drawing attention to significant quotes and material. 

Our publication binds this interview and creates a home for our conversation. 15 copies were printed on RISO for our first edition, distributed through our class with a copy being sent to HumDrumPress, for them to hold and explore on their own.


Publication Design
Printmaking
       & Bookbinding
Collaborative practice

I acknowledge the Wurundjeri and Bunurong people of the Eastern Kulin nation as the traditional custodians of the land on which I design and pay respects to their Elders past, present, and emerging. I also wish to acknowledge the Māori people of Tāmāki Makaurau in Aotearoa in which I grew up.
Get in touch:
  • Brunokingg@icloud.com
  • @Bruno____King

©2025